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The Arts
& Crafts of Punjab Art
is described as a creation or expression of something beautiful
especially in a visual form and Arts and Crafts as a phrase means decorative
designs and handicrafts. In this field, also, Punjab has the hoary and
distinguished tradition which its people have maintained in spite of
vicissitudes of time.
Take as simple a thing as mud for example.
Plastering the walls with mud and drawing ferns, plants, several other
fascinating motifs has been a way of life of the woman of Punjab. They
have also been making paper mache utencils for storing house hold
necessities in colourful designs for a long time past, out of a paste
made by mixing paper and various kinds of earth.
A few decades ago, Sarcanda, a kind of tough; thick elastic grass used
to grow in plenty at places which have now come under the plough. Out of
this grass roofs of all sizes (which provided air conditioning) were
fashioned in circular shapes. After shaving, thin straws of this grass
were woven into beautiful carpets and curtains. Another useful household
contrivance called Chhaj in Punjabi was manufactured out of sarcanda
which is used for separating edible stuff from .the grain. Screens, used
as a parting between wheat and hay, for instance, were also woven from
this stuff. Baskets used for keeping haber dasbery (pins, cotton,
buttons, needles, threads) in different shapes and colours and covers
were contrived by young girls by using shaved sarcanda and coloured
cotton thread which were taken by them as a part of dowry. In Punjabi
these are called katnees. One wedding song goes like
this.
Punjabi
(Tyari ho gayi patolaya
teri katni nu phul lag gaye) Arrangement for you have been made O
beautiful one-Katni has now blossomed forth.
The shavings of sarcanda
chicks and coloured cotton threads were also used to weave Chiks, Bohiey,
Pitarian, (useful household articles) and kind of chairs called Moorras. Brushes for white washing were also made by hands out of
munjhs. Although these crafts of Punjab are not yet completely
forgotten, yet they are moving fast towards fading out.
Weaving
of Durries (cotton bed or floor spreads) in myriad motifes and designs
especially by young girls in the villages has been a long tradition in
Punjab. These are also woven in stripes, cheek boards, squares, motifs
of birds, animals and even plants as a part of dowry. Needle work of
Punjab is unique, it has beautiful names because of its associations
with beautiful aspects of life and the beautiful designs which the
dextrous fingers of Punjab's proverbially beautiful women create
hav e such a wealth of forms and
motifs that they defy enumeration. Some of these are called Baghs,
literally a garden, Phulkaris, literally flower work, rummals, scarfs.
The patterns of needle work done on the bed spreads, chunnis, dupattas
(these are head covers) and shirts and Salvars, are still different.
Needle work on phulkaris is done on a deep coloured cotton cloth with
striking silk threads. The threads is pierced upwards from underneath
the cloth into free-hand motifs, while in the Baghs and Rummals such
cloth is worked on the top side only. These were traditionally used for
wear but now are exported as wall hangings and sewn as jackets etc.
Punjabi hands fans like the Japenese are almost typical and their
leaves are made in much the same way as phulkaris etc. are made. The
shoes made in different parts of Punjab out of self lured leather have
different traditions. Light shoes were considered the best and to
explain this aspect the cobblers used to say that even the sparrows can
fly with them. Earlier shoes which have come to be known as Punjabi
Juttis throughout the world were embroidered with gold and silver wires
all over in different patterns covering every parts of the pair so that
it looked as if it was made of solid gold and silver. Now even when
golden and silver threads are used to embroider these shoes, the quality
of these world famous shoes is still maintained.
The wood work of
Punjab has also been traditionally famous. Artistic beds with
comfortable, skillfully made, back rests fitted with mirrors and carved
colourful legs called Pawas, low seats called Peeras, Peerian were made
by carpenters in almost every village. Their skill has passed into folk
songs (Raati rondi da bhij gaya
Ial bhangoora) weeping last night my red Swing became drenched.
Furniture designed in Punjab and boxes, toys and decorative pieces made
out of wood are exported. In giving lacqueur finish to wood crafts, in
adorning it with coloured mirror and in engraving wood, inlaying ivory
(now white plastic only) the workmen of Punjab have been
renowned.
The onslaught of high technology is putting a premium
on the arts and crafts in the modern era and it will require special
efforts to preserve them for posterity.
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